Jiří Černický

Jiří Černický

Jiří Černický (*1966) is a Czech visual artist whose work spans painting, sculpture, installation, and performance art. Since the 1990s, he has systematically challenged the stability of the image and meaning through contextual transformation and the manipulation of illusion.


He is a graduate of the Academy of Fine Arts in Prague, where he also taught. He has exhibited at institutions such as the Rudolfinum Gallery, DOX, and the Prague City Gallery, and his works are included in the collections of the National Gallery in Prague and other institutions. He is a recipient of the Jindřich Chalupecký Award.

Dron - SERAF

Dron - SERAF

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Odrazová drúza

Odrazová drúza

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2026

Drúza rozkoše

Drúza rozkoše

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2026

Bábovka Mekka

Bábovka Mekka

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Microminimal

Microminimal

microplastics in a Plexiglas display case

150 x 100 cm

2023

Nabíječka

Nabíječka

electronics, plastic

8 x 40 x 7 cm

2018

Woodoo Curiosity

Woodoo Curiosity

mixed media

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Unicellular Nestor Kea Parrot

Unicellular Nestor Kea Parrot

mixed media

130 x 170 cm

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Unicellular Sweet Juliet Rose

Unicellular Sweet Juliet Rose

mixed media

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Tažný vesmír

Tažný vesmír

acrylic and epoxy on canvas

126 x 164 cm

2025

Tahy

Tahy

acrylic and bird feather inlay on canvas

114 X 144 cm

2024

Tah

Tah

acrylic and bird feather (vulture) inlay on canvas

63 X 84 cm

2015

Sbírka minerálů poltergeista

Sbírka minerálů poltergeista

wood, varnish, metal, semi-precious stones

130 x 170 x 30 cm

2015

Uhranutí

Uhranutí

acrylic on canvas

160 x 170 cm

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Kardinálové na vysavačích

Kardinálové na vysavačích

mixed media on canvas

150 x 100 cm

2014

Protest zapomenutých monster

Protest zapomenutých monster

acrylic and epoxy on canvas

170 × 170 cm

2023

Růžový panter v čínské medicíně

Růžový panter v čínské medicíně

acrylic and epoxy on canvas

170 × 170 cm

2023

Víly gravitace

Víly gravitace

chain-suspended scale, metal, plastic, light

2021

Touha po spravedlnosti

Touha po spravedlnosti

oil on canvas, frame with a snow-like finish

59 x 60 cm

2018

Nechtěná fascinace

Nechtěná fascinace

nephritis

reálné rozměry předlohy

2019

Schizofrenie

Schizofrenie

laminate, acrylic lacquer, foam, fabric, chrome

23 x 23 x 32 cm

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Letní řetízky

Letní řetízky

tire, gold chains

83 cm

2026

Rohy nosorožců z miliardy vlasů Číňanů

Rohy nosorožců z miliardy vlasů Číňanů

real hair from people in China

reálné rozměry rohů z nosorožců

2019

Flakon s kardinálským testosteronem

Flakon s kardinálským testosteronem

ink on paper

30 x 39 cm

2023

Rychlé šípy

Rychlé šípy

ink on paper

43 x 60 cm

2019

Roubík

Roubík

ink on paper

49 x 39 cm

2025

Rozklad světla skrz světce

Rozklad světla skrz světce

ink on paper

38 x 30 cm

2023

Posttraumatické jevy atmosferických poruch

Posttraumatické jevy atmosferických poruch

ink on paper

53 x 41 cm

2000

Pěstování nožů na oběti

Pěstování nožů na oběti

ink on paper

53 x 42 cm

2012

Peněženka natrávena zlatým retrívrem

Peněženka natrávena zlatým retrívrem

leather, paper, steel

15 x 15 x 5 cm

2023

Buddha z prachu

Buddha z prachu

dust from the author's apartment

9 x 5 x 7 cm

2018

Vítězové závěrečné bitvy olympijských her

Vítězové závěrečné bitvy olympijských her

ink on paper

50 x 39 cm

2023

Plán přestavby koncentračního tábora v Osvětimi na malebnou typicky germánskou vesnici podle Alberta Speera

Plán přestavby koncentračního tábora v Osvětimi na malebnou typicky germánskou vesnici podle Alberta Speera

ink on paper

198 x 77 cm

2019

Trumpolina

Trumpolina

mixed media on canvas

190 x 170 cm

2017

Kim vysouší Tsunami

Kim vysouší Tsunami

mixed media on canvas

190 x 170 cm

2018

Držadlo na prázdnotu

Držadlo na prázdnotu

ink on paper

57 x 71 cm

2023

Památník obětem Černé války od Anishe Kapoora

Památník obětem Černé války od Anishe Kapoora

ink and crayon on paper

73 x 96 cm

2020

Monument satisfakce

Monument satisfakce

ink and gold on canvas

96 x 73 cm

2020

Anatomická studie fatamorgany

Anatomická studie fatamorgany

ink and crayon on paper

60 x 85 cm

2020

Bez názvu

Bez názvu

-

38 x 30 cm

2022

Biography

Jiří Černický has been a prominent figure on the Czech art scene since the 1990s. In his work, he has long operated at the intersection of painting, sculpture, installation, and performance, viewing these individual media not as separate entities but as part of a broader process of reflecting on the image and reality.


He studied at the Academy of Fine Arts in Prague (AVU), where he trained in the painting and new media studios. As early as the 1990s, he drew attention to himself with striking performative and intermedia projects that combined personal expression with a broader social context.


His work is based on a shift in meaning, a transformation of context, and the disruption of established interpretive frameworks. He employs the principles of illusion, stylization, and material ambivalence to challenge the stability of visual communication and open up space for multi-layered readings. The aesthetic appeal of his works often contrasts with latent tension or unsettling content, creating situations in which the viewer oscillates between fascination and uncertainty.


Černický has exhibited in a number of significant solo and group exhibitions in the Czech Republic and abroad. His work has been presented at venues including the Rudolfinum Gallery, the Prague City Gallery, the DOX Centre for Contemporary Art, and the Moravian Gallery in Brno.

His work is represented in major public and private collections, including those of the National Gallery in Prague, the Prague City Gallery, and others.
He has received several awards for his work, including the Jindřich Chalupecký Award, one of the most prestigious awards for contemporary artists in the Czech Republic.


In addition to his own artistic practice, he has also been active as a teacher at the Academy of Fine Arts in Prague, where he led a studio and helped shape the younger generation of artists.


Jiří Černický’s work addresses themes of identity, power, faith, technology, and the fluidity of the contemporary world. He does not treat reality as a given fact, but as a space that can be disrupted, reshaped, and reinterpreted. His works thus do not create fixed meanings, but rather situations in which meaning is constantly shifting.

Solo Exhibitions